Saturday, March 31, 2012


Scottsboro: An American Tragedy
http://www.youtube.com/watch?v=yCBV-GhyINY
 
In 1931, two white women stepped from a box car in Paint Rock, Alabama to make a shocking accusation: they had been raped by nine black teenagers on the train. So began one of the most significant legal fights of the twentieth century. The trial of the nine falsely accused teens would draw North and South into their sharpest conflict since the Civil War, yield two momentous Supreme Court decisions and give birth to the Civil Rights Movement. In addition to its historical significance, the Scottsboro story is a riveting drama about the struggles of nine innocent young men for their lives and a cautionary tale about using human beings as fodder for political causes.

PEACE.LOVE.HAPPINESS

Friday, March 30, 2012

Trayvon: How Many Dead Black Kids Does It Take

 
Trayvon: How many dead black kids does it take?
by damali ayo

You can comment on this piece on Facebook.

Q: How many dead black kids does it take for our culture to screw in its metaphoric light bulb and finally see the light?

A: I’m still waiting to find out.


Nine years ago I did an art piece called blacklight. It consisted of a television screen running a loop of racist jokes I had pulled from the internet. They were in Q and A form, and depending on your perspective, either totally gruesome, or completely hilarious. On top of the television I placed a light bulb that illuminated the word
USA.

People were appalled. How, why, and for what possible reason would I expose innocent, un-racist people to a litany of racist material that might sow seeds of prejudice within their pure, liberal minds? Clearly these jokes were things of the past and I shouldn’t be putting them back into circulation. I wasn’t in the habit of answering questions about my art at the time, but if I were, I would have said that there’s nothing past-tense about any of this material. I simply culled it from the internet and put it on display. We may not say this stuff, but we believe it. The jokes are a mirror of who we are, right now. This is not in the past, not in some other part of the country, not some evil conservative group in white sheets or red ties. This is all of us, right now. We are responsible for the state of things.

Today as I travel around the country giving a talk called “You Can Fix Racism!” I am sure I will be asked to comment on the Trayvon Martin case. I don’t want to appear cynical or insensitive, but there is a part of me that feels like asking, “Does anyone know how many other black children suffered irreparable harm at the hands of our racist culture but whose lives didn’t generate hourly headlines or go viral as temporary Facebook profile photos of people wearing hoodies?” I expect this question to be met with silence.

I first found out about the case in an article that called Trayvon a modern day Emmett Till. This was a daring assertion, yet accurate in many ways. But it begged the question: Does our culture require a murder and a media frenzy for us to realize the harm that racism does?

Does it really take death and Facebook for us to notice?

There is injustice at our fingertips. Every time I visit a school, I meet young people whose self-images and educations are permanently damaged by the racism of their teachers, institutions, and classmates. When I worked in a women’s prison I met many women serving time whose race and class were undeniable factors in their ending up behind bars. As a life-coach, I counseled women who suffer with debilitating PTSD from the trauma that racism has imposed on their lives. I count myself among two of these groups.

Every day I watch our culture hover along in a comfort zone of racism. As long as it doesn’t have concrete, provable, murderous consequences, and sometimes even when it does, we are content to live with it, even when it is right in our faces. On my way home in
Los Angeles today I drove past two billboards flanking me from either side of the street. To my left was and ad for a movie called American Reunion. On the billboard were at least ten white people, and no one else. These ads have been bugging me for weeks. It turns my stomach that we can promote something in 2012 called “American Reunion” and have nothing but white people in the photo. To my right, was an ad for a movie called Think Like a Man. On this much smaller billboard were about seven black people and one white guy.

I thought to myself, and people wonder why kids of color get shot. We can’t even stand to be in the same movie together, let alone share the same neighborhood, schools, food, culture, concerns, money or the idea of what it means to be American.

As long as we fail to notice the every day, obvious indicators that our culture is in dire straits, as long as we forget that we are responsible, it will continue to take gruesome deaths for people to consider the possibility of change, let alone enact it. Sadly, it seems, that even that may not be enough.

___

damali ayo is the author of Obamistan! Land without Racism: Your Guide to the New
America and How to Rent a Negro (both Lawrence Hill Books). You can hire her to turn on your metaphoric light bulbs at damaliayo.com

damali's 10-point practical guide to fixing racism can be found and downloaded at: http://damaliayo.com/ICFI/ICFI%20home.html

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